|
Quick
links on this page
|
| Professional Involvement | ||
| Publishing | ||
| Affiliations & Links | ||
| Biographical overview woman composer, female composer |
Alex Shapiro aligns note after note with the hope that a few of them might actually sound good next to each other. She has become one of the Pacific coast's more familiar composers of acoustic and electroacoustic chamber music, and her expressive, dramatic works are performed and broadcast weekly across the U.S. and internationally. Published by Activist Music, Ms. Shapiro's scores are widely distributed, and found in libraries and universities nationwide. Alex's music has been recorded by many artists and is available on over twenty commercially released CDs. |
|
Born in New York City in 1962 and raised in Manhattan, Alex began composing at age nine. She was educated at The Juilliard School and Manhattan School of Music, where she was a composition student of Ursula Mamlok and John Corigliano. Earlier composition studies from age fifteen were with Leo Edwards at Mannes College of Music and with Michael Czajkowski and George Tsontakis at the Aspen Music School. An accomplished pianist, Ms. Shapiro was a student of New York recitalist Marshall Kreisler, and she is an active guitarist as well. Ms. Shapiro is the recipient of national honors and awards including those from the American Music Center, ASCAP, the American Composers Forum, Meet the Composer and Mu Phi Epsilon, and she has been awarded artist fellowships from The California Arts Council and The MacDowell Colony. |
![]() |
An enthusiastic leader in the new music community, Alex is a strong advocate for other artists through her speaking appearances and her published articles. She currently serves on the Board of Directors of the American Music Center, sits on ASCAP's Symphony & Concert Committee, and is the recent President of the Board of Directors of the American Composers Forum of Los Angeles. She is an advisor for The MacDowell Colony, and has served as an officer on the boards of national music organizations including NACUSA, The College Music Society, and The Society of Composers & Lyricists. Her volunteer activism extends beyond the music world, and encompasses three terms she served in the 1990's on the Board of Directors of the ACLU of Southern California, including two years as the 30,000-member affiliate's Vice-president, and to her current activities as a Board member of the University of Washington's renowned marine science research facility, the Friday Harbor Laboratories. Articulate, passionate and entertaining, Ms. Shapiro appears regularly as a speaker at a wide variety of music events, including NARAS' Grammy® in the Schools, the Los Angeles Philharmonic's First Nights series, IAWM's International Congress of Women in Music, the National Performing Arts Convention in Denver, Colorado, the Minnesota Orchestra Composer Institute, and each of ASCAP's I Create Music Expos in Hollywood. Since 2000 Alex has interviewed over 100 composers as the moderator of the Los Angeles Composers Salon series as well as ACF/LA's Composer to Composer series at Walt Disney Concert Hall, and she is a familiar guest lecturer at many colleges and universities, including being the Keynote speaker at the Society of Composers, Inc. 2006 National Conference. Alex is especially well versed on the uses of digital media for the promotion of artists' careers, and is a speaker for the ASCAP Composer Career Workshop series she helped to create. She recently testified on a Federal Communications Commission panel hearing in Washington, D.C., about broadband access and digital rights issues. A longtime resident of Malibu, California, Alex now resides on Washington State's San Juan Island, and when she's not composing she can often be found sea kayaking, or communing with the sea life at the tide pools, evidence of which can be found on her blog, Notes from the Kelp. |
For an electronic press kit, including a short program bio, photo, full bio/C.V. and catalog of works, please click here |
Read Kyle Gann's profile on Alex and the music of Notes from the Kelp, for his American Composer series in the May/June 2008 issue of Chamber Music magazine |
Alex speaks at many events and motivates people in and outside of the music world. To see a video and obtain booking information, click here |
|
|
Why just read a bio about someone when you can hear them speak for themselves? Click to listen to Alex on any of these broadcasts. |
Januray 2008 |
July 2004 |
August 2006
|
December 2007
|
February 2006
|
|
|||
Alex's life and approach to her music career are the subject of a ten-page autobiographical article, Compose, Communicate and Connect for the Journal of the International Alliance for Women in Music, Spring 2005 issue. The article was reprinted in the autumn 2005 and winter 2006 issues of The American Composers Forum magazine, Sounding Board. To download this article, as well as to enjoy several other print and broadcast interviews, click here |
One of Alex's recent interviews appears in the March 2008 issue of the online webzine Tokafi |
Read Alex's November 2007 essay about the nonmusical concepts behind a very music career, All The Things You Are: Five Suggestions for Composing Your Happiness, in the online magazine NewMusicBox |
Read Alex's chat on the professional networking website forum, My Auditions, where she was the August 2006 featured guest |
|
Alex appeared for the fourth year in a row in April 2009 as a speaker and mentor at the ASCAP I Create Music Expo in Hollywood, where she shared her advice about promoting one's career on the internet. |
In June 2008, Alex represented musicians on a panel she also moderated at the enormous National Performing Arts Convention in Denver, CO, at the Colorado Convention Center. Her guests included leaders from the music, theater and dance world, and the discussion orbited around the topic of creating careers and audiences in the digital world. |
|
Alex was the Keynote Speaker for the 2006 Society of Composers, Inc. National Student Conference at Arizona State University in Tempe, Arizona. |
| Alex Shapiro and composer/pianist Billy Childs were the guest speakers for the Center for Cultural Innovation series, Conversations... Set to Music, moderated by artist Patrick Scott in October 2007. |
| In February 2009, Alex moderated the 34th Composers Salon in Los Angeles, CA. This popular series is now in its ninth year, and Alex has interviewed over 100 composers who participate to discuss their work with other colleagues. Presenters at any given Salon range from Pulitzer, Grammy, Emmy and Oscar-award winners to those in mid-career, and span a wide array of musical styles and an even broader one of conversation. | ![]() |
|
Alex was Composer-in-Residence and Moderator of the New Music Festival at Santa Clara University with Chen Yi and Alvin Singleton in February 2006, at which the Los Angeles Flute Quartet performed Bioplasm. Alex was also one of the featured composers at Voices on the Edge: Women in Electroacoustic Music Festival at Cal State Fullerton with Pamela Z and Chen Yi in March 2006, at which contrabassoonist Carolyn Beck performed Deep. |
|
In March 2004, Alex appeared on stage at Walt Disney Concert Hall with the Los Angeles Philharmonic, conductor Esa-Pekka Salonen, and composer Steven Stucky, guiding the audience through the creation and premiere of Stucky's 2005 Pulitzer Prize-winning Second Concerto for Orchestra. |
|
| Recordings |
Many CDs are currently available which feature Alex Shapiro's works, and there are a number of new recordings coming out in the next year from a wide variety of artists. Additionally, Alex's own CD of several of her favorite chamber works, Notes From the Kelp, was released October 2007 on Innova Recordings, and she is currently producing a CD of her electro-acoustic works, titled Alextronica. For full information on CDs, including many audio clips, visit Recordings |
Clariphonia: Trio for Clarinet, Violin and Piano |
New American Piano Music: Sonata for Piano |
Music for Hammers & Sticks: At the Abyss |
Californian Concert: For My Father |
|
Above and Beyond: Bioplasm |
Beck and Call: Of Breath & Touch Deep |
Solo Rumores: Luvina |
||
La Discordantia: Slip |
60 x 60 2005: Unhinged |
Jenni Scott: Shiny Kiss |
Trio Chromos: Elegy |
Alextronica: Electro-acoustic Music |
Below: Music for Low Flutes: Below |
Inflorescence V: Shiny Kiss |
Garrison Piano Competition: Scherzo |
An Robert Schumann: Slowly, searching |
Alex Shapiro:
Notes from the Kelp |
|
Alex's electroacoustic clarinet work, Water Crossing, appears on the 2010 Aucourant Records release titled Delicate Balance, recorded by clarinetist F. Gerard Errante. |
Alex's touching and haunting piece for contrabass flute, prerecorded electronics, and [prerecorded!] Pacific Humpback whale, Below, appears on flutist Peter Sheridan's 2009 CD titled Below: Music for Low Flutes, released on Australia's Move Records. |
Alex's self-produced CD, Notes from the Kelp was released October 16, 2007 on Innova Recordings 683 and celebrated going into its second printing in 2009. This disc is a collection of eight of Alex's most representativve chamber works, and features 24 musicians. |
And: Alex has collaborated with master 32-string veena player Shri. Thakur Chakrapani Singh of Delhi, India, on an electro-acoustic piece that encompass his beautiful ragas. Chakra Suite was recorded September 2005 and will appear on Alex's upcoming CD, Alextronica. Alex has been invited by The Art and Cultural Trust of India to come to Delhi as their Guest Artist. |
| Performances |
|
From New York's Carnegie Hall and the National Museum of Women in the Arts in Washington, D.C., to Geneva's CERN and stages from Hong Kong to Havana, Reykjavik to Rio de Janeiro, Alex Shapiro's music is heard weekly around the globe. Here is just a sampling: |
|
|||
|
MoMA
of New York, The American Season Germany |
|
||
|
|
American
Academy in Rome Italy |
|
|
|
|
American Guild of Organists Convention Utah |
| Some awards & honors |
| 2009 MetLife Creative Connections Award Meet the Composer |
|
| 2008 Award for Slip International Aliénor Harpsichord Composition Competition |
|
| 2007 Elected to Mu Phi Epsilon's ACME | |
| 2006 Keynote Speaker and Composer-in-Residence Society of Composers, Inc. National Student Conference |
|
| 2006 Guest Composer and Festival Moderator Santa Clara University New Music Festival |
|
| 2005 Panelist, Creative Connections Award Meet the Composer |
|
| 2005 Judge, Contemporary Festival Piano Competition Music Teachers Association of California |
|
| 2005 Subito Award for Music for Two Big Instruments The American Composers Forum |
|
| 2005 Award for Bioplasm Music Teachers National Association |
|
| 2004 California
MTNA Commissioned Composer Award California Assn. of Professional Music Teachers |
|
| 2004
Composer in Residence and Festival Moderator The Walden School |
|
| 2004 Panelist The McKnight Foundation Artist Fellowship Award |
|
| 2003-2004 Alpha Chi Omega Foundation Fellow The MacDowell Colony |
|
| 2003
Subito Award for Current
Events The American Composers Forum |
|
| 2003
Best Original Composition Award for At
the Abyss Mu Phi Epsilon |
|
| 2003
Award for Current
Events The American Music Center |
|
| 2002
Distinguished Service Award
The American Composers Forum |
|
| 2001
Award for Of
Bow and Touch The International Society of Bassists |
|
| 2000
Artist Fellowship Award
for the Performing Arts The California Arts Council |
|
| 2000
Award for Re:pair
for Flute and Bassoon Mu Phi Epsilon. |
|
| 1999
Best Instrumental Composition Trio for Clarinet, Violin and Piano Utah Composers Guild |
|
| 1999 Best
Performance Award for Trio for Clarinet, Violin and Piano Delius Association of Florida |
|
| 1998-2010 Standard/ASCAPLus
Awards ASCAP |
| Publishing |
|
Each of Alex Shapiro's concert scores are published by her company Activist Music and are directly available through the Purchase page of this website. The entire Activist Music catalog is available through J.W. Pepper and Son, Inc., and most works in her catalog are also distributed by Theodore Front Musical Literature, Inc., Harrassowitz, and Hickey's Music Online. Ms. Shapiro's flute music is also available through Flute World, and Carolyn Nussbaum Music Company; her music for double reed instruments may also be ordered through TrevCo Music, her brass music is also available from BVD Press and Tuba-Euphonium Press, and her percussion music can be found at Steve Weiss Music. The name Activist Music originates from Ms. Shapiro's belief that all people must be encouraged to raise their voices, articulate their principles and do what they can to affect change around them, whether in politics, within their own neighborhoods, or through the art which they share with others. Activist Music is an elected member of the National Music Publishers' Association, which works to protect intellectual property rights and expand U.S. Copyright law. |
| Professional Involvement |
|
||
Alex
with composer Joan Huang during an ACF/LA Composer's Salon.
|
Ms. Shapiro serves on the Board of Directors of the American Music Center, and is the recent President of the Board of Directors of the American Composers Forum of Los Angeles as well as Chairperson of the ACF/LA Advisory Council. Since 2000 she has been the Moderator of ACF's popular Composer's Salon series as well as its Composer to Composer series held at Walt Disney Concert Hall. She has served as an officer of The National Association of Composers, USA (NACUSA) and as an officer of the Pacific Southern Chapter of The College Music Society. In 1997 Shapiro co-chaired a committee for ASCAP to develop composers' contract standards for negotiations for the use of original music over the Internet, and she is currently a member of ASCAP's Symphony & Concert Committee. Along with fellow committee members Stephen Paulus, Jennifer Higdon, and James Kendrick, Alex has started a U.S. touring series of music business seminars titled, The ASCAP Composer Career Workshop: Things They Don't Teach You in School. From 2003 to 2007, Alex also served on the Advisory Board for the Los Angeles City College Music Department, and she is a longtime member of the Alumni Council of Manhattan School of Music, as well as an Advisor for The MacDowell Colony. |
|
In 1994 Ms. Shapiro joined the Board of Directors of The Society of Composers & Lyricists, the professional association of film music artists, and served three terms from 1994-2000, including two years as the organization's Vice president. Alex extended her efforts with The Society of Composers & Lyricists in her role as the Chairperson of the 1996-1999 Film & TV Music Conferences, co-presented in Los Angeles at The Directors Guild of America by the SCL and The Hollywood Reporter. |
|
| Alex chaired the Public Relations Committee for Women in Film's 1993 Crystal Awards, honoring Jack Lemmon and Julie Andrews, and has volunteered her time to many arts and music organizations in Los Angeles. Reflecting her achievements as a composer as and as public advocate for artists, Alex's biography is included in the Marquis Who's Who in America and Who's Who in American Women. |

Composer/pianist Billy Childs, Alex, and composers and Salon producers
Kubi Uner and Giovanna Imbesi at a 2005 Composers Salon Alex moderated
at Tuttomedia Studios in Venice, CA.

Alex with composers Larry Karush and Terry Riley by her home in Malibu,
June 2006, where they performed a house concert.

Composer Randy Newman and Alex share a laugh during Newman's presentation at the
July 2007 Composers Salon which Alex moderated in Venice, CA.
|
||
|
A well known public speaker with an unusually broad range of experience, Alex has moderated panels for countless seminars. She's a familiar face to audiences at The Society of Composers & Lyricists, and The American Composers Forum, for which she has interviewed over 100 composers including Steven Stucky, Randy Newman, Mort Subotnick, Anne LeBaron, Bruce Broughton, Vinny Golia, David Newman, Stephen Paulus, John Steinmetz, Joan Huang and Bill Kraft for the Los Angeles Composers Salon series, now in its ninth year. Additionally, Alex has also conducted American Composer Forum Composer to Composer interviews at Walt Disney Concert Hall and other Los Angeles venues with guests as diverse as Steve Reich, Gavin Bryars, Christopher Rouse, Don Davis and Billy Childs. Alex was the Keynote Speaker at the October 2006 Society of Composers, Inc. National Student Conference, and represented musicians on a panel she also moderated in June 2008 at the enormous National Performing Arts Convention in Denver, CO, at the Colorado Convention Center. |
|
Among the panel discussions Alex has led for the SCL are The Virtuoso Soloist in Film Music, presented on the scoring stage of 20th Century Fox Studios in 2000 and featuring violinist Joshua Bell (The Red Violin), pianist Ralph Grierson (E.T.), and bagpiper Eric Rigler (Titanic), and the 2004 seminar, Launching Your Film Scoring Career. On the topic of new technologies, Alex moderated a session for the 2004 Music Business Chops seminar in Los Angeles, with industry leaders including CD Baby founder Derek Sivers, Tony van Veen of Disc Makers, and Jim Griffin of Cherry Lane Digital. In 2004 Alex appeared on stage with conductor Esa-Pekka Salonen and the Los Angeles Philharmonic to co-host the sold-out premiere of Steven Stucky's Pulitzer prize-winning work, Second Concerto for Orchestra, for the L.A. Phil's First Nights series. In January 2006 and again in January 2009, Ms. Shapiro was a panel speaker for the Chamber Music America Conference in New York City. In February 2006 she was the moderator for an evening of composer Chen Yi's works at the New Music Festival at Santa Clara University. Alex is an especially familiar speaker within the new music community, on the uses of digital media for the promotion of artists' careers. She has been a featured speaker at each of the four ASCAP EXPOs in Hollywood, the Minnesota Orchestra Composer Institute, the American Composer Forum's Making Music Work series at McNally-Smith College, NETMCDO (Network of Music Career Development Officers) and two of Chamber Music America's national conferences in New York City, the National Performing Arts Convention in Denver, and around the U.S. at the ASCAP Composer Career Workshops, of which she is a co-founder. In 2009, Shapiro joined fellow ASCAP members on Capitol Hill to meet with numerous senators and congresspeople in an effort to ensure audio visual download rights, and she testified on a Federal Communications Commission panel hearing in Washington, D.C., about broadband access and digital rights issues. |
![]() |
![]() |

Alex (right) lobbying in Washington, D.C. with ASCAP boardmembers and staff.
Above, speaking to Senator Arlen Specter (R/D-PA), and to Representative Steve Cohen (D-TN) in their offices.
|
||
Alex has been a lively guest on numerous radio and podcast shows, including Los Angeles' KPFK-FM's For the Record with Samm Brown, Music of the Americas with Jeannie Pool, the KXLU-FM Los Angeles program, Trilogy, and The Audition Booth with Martin Perlich on KCSN-FM, as well as WGDR-FM's Kalvos & Damian's New Music Bazaar, and the nationally syndicated NPR show, Theme and Variations. An interview Alex gave producer Steven Rosenfeld of Behind the Beat appears on the ASCAP Audio Profiles page, and her interview with John Clare for the WITF-FM radio show Composing Thoughts aired in 2008. The virtual world is an active arena as well, and Alex has been the February 2008 and May 2009 guest on the Second Life Cable Network talk show for Music Academy Online. |
| Alex's life and music were the subject of a one-hour interview on a new radio series called American MusicMakers produced by Theme and Variations host Will Everett, airing on over 70 public radio stations across the U.S. She has also been the featured guest on Los Angeles major market syndicated shows on KFI 640 and KABC 790 AM radio. Her interview for the American Composers Forum series, Measure for Measure, was the inaugural August 2006 broadcast for the new podcast program. |

Alex with composer Ursula Mamlok in Santa Barbara, CA, June 2006.

Alex, with the late pianist Leonard Stein and composer Steven Stucky
as she spoke at the March 2004 ACF/LA Music Room.
|
||
|
|
Alex is the featured composer in the ten-page autobiographical lead article, Compose, Communicate and Connect for the Journal of the International Alliance for Women in Music, Spring 2005 issue. Widely praised for its candor, the article was reprinted in two parts in the Autumn 2005 and Winter 2006 issues of the American Composers Forum magazine, Sounding Board. Alex has been a regular contributor to The Society of Composers & Lyricists' award-winning publication, The Score, and is the author of several columns on composers and new technology, including the journal's cover article entitled Multimedia: You Can Get There From Here. She is also a recent essayist for the American Music Center's online magazine, New Music Box in an exploration of new music and the labels of neo-romanticism, and on the subjects of artists and self worth, and using the web to create income. In addition to articles on music business and technology for publications ranging from New Music Box to the newsletter for American Express cardholders, Alex is a familiar presence on the Sequenza 21 web blog, winner of the 2005 ASCAP Deems Taylor Internet Award. To read Alex's essays on music, nature and her humorous musings about life in general, click here. Alex is also the author of the photosonic blog, Notes from the Kelp, which pairs her photographs with audio clips of her music each week, offering a personal view into her unique island environment. |
In April 2006 Alex was invited to contribute to a set of guest essays about bringing new listeners to the symphony, on Drew McManus' widely read orchestra management blog, Adaptistration. Her essay and many others appear in the new book, Take a Friend to the Orchestra. Shapiro has been profiled in numerous articles and interviews, including being featured in Kyle Gann's American Composer series in the May/June 2008 issue of Chamber Music magazine. Other pieces about her life and work have appeared in New Music Forum, Sigma Alpha Iota's Pan Pipes, Mu Phi Epsilon's Triangle,and NACUSA's Composer/USA, as well as in publications spanning from the Malibu Surfside News to Great Britain's Music & Vision Magazine. She has been featured in articles on working composers in two Film & TV Music Special Issues of The Hollywood Reporter, in the Journal of the International Alliance for Women in Music and in issues of the American Composers Forum magazine, Sounding Board. The online magazine, Tokafi, has featured Alex twice in wide-ranging interviews for its August 2006 and March 2008 issues, and Alex was the August 2006 featured composer for the professional music network, My Auditions. Alex's life and music have been the subject of two doctoral dissertations. |

Composers David Rakowski and Alvin Singleton with Alex
at the MacDowell Colony, September 2003.
Pianist Teresa McCollough with Alex, at sea in the San Juan Islands, August 2007.

Distinguished Alumni Awards Dinner, October, 2008, Manhattan School of Music:
(seated) Composer Aaron Jay Kernis, Alex Shapiro, MSM President Robert Sirota, Vickie Sirota,
(standing) Elizabeth Dworkin, Dylan Maulucci, Salvatore Di Vittorio,
Santa Maria Pecoraro, and Arkady Aronov.
|
||
|
With her commitment to sharing knowledge about music and about the business of working as a musician, Alex is regularly invited to be a guest lecturer to composition classes at colleges, universities and music conservatories across the U.S., several of which have produced concerts devoted to her music. Among the many institutions at which she has spoken are The Juilliard School, Manhattan School of Music, California Institute of the Arts (CalArts), California State University at Sacramento, Santa Clara University, Cornish College of the Arts, University of Chicago, and University of California at Santa Barbara. Alex is a featured presenter at a myriad of music events, with past appearances including the NARAS Grammy in the Schools program, The Mancini Institute's electronic music composition workshop at the Los Angeles High School of the Arts and IAWM's International Congress of Women in Music in London. In July 2004, Alex was the Composer-in-Residence and Festival Forum Moderator at The Walden School, and in February 2006 she was the Composer-in-Residence and Moderator for the New Music Festival at Santa Clara University. In February 2006, Alex was a guest once again at the University of California at Santa Barbara, giving a talk to the school's composition students titled Out in the World: The Notes Ahead, and in October 2006 she was composer-in-residence and Keynote Speaker at the Society of Composers, Inc. National Student Conference held at Arizona State University. |
![]() |
Alex with composers Barry Schrader and Peter Grenader, February 2006. |
Alex with bassist/composer Jimmy Bond and percussionist/composer Bill Kraft, August 2006. |
![]() |
| Jazz, Film & Television Scores |
| Alex Shapiro worked for fifteen years in the commercial music world, scoring feature films, television shows, commercials and documentaries. For full information and many audio clips, visit Jazz and scoring |
|
As
featured inn
|
|
|
|
![]() |
![]() |
|
Film and TV Music Special Issue of The Hollywood Reporter, 1994 (Alex, top right) |
Film and TV Music Special Issue of The Hollywood Reporter, 1995 |

Alex with pianist Mike Lang, September 2005.
| Community Involvement |
|
|
Along with her involvement in the music industry, Ms. Shapiro has distinguished herself in an additional area of passionate pursuit civil liberties. She served on the Board of Directors of the American Civil Liberties Union of Southern California from 1990 to 1996; as Vice President of the nation's largest, 30,000 member affiliate, Ms. Shapiro frequently appeared on radio and television broadcasts as a spokesperson for a wide variety of individual and artistic freedoms.
As a certified sailor, a sea kayaker and an avid tide-pooler, Alex's daily life reflects her love of marine biology. In 2008 she was honored to join the Development Advisory Board of the renowned University of Washington Friday Harbor Laboratories. |
| Reviews |
The Jan/Feb 2006 issue of the American Record Guide gave a terrific review to Above and Beyond, the new CD from the Los Angeles Flute Quartet. Christopher L. Chaffee writes, "I am especially taken with the Shapiro "Bioplasm," ... I hope other flutists play it too." The March 2006 issue of International Record Review glowingly praises Carolyn Beck's CD, Beck and Call, stating, "the disc opener [of Alex Shapiro's] "Of Breath and Touch" is delicate and nervous, like a fine race horse...". The May/June issue of Fanfare Magazine calls Alex's work for contrabassoon and electronics, Deep, "...texturally absorbing...", and the May 2006 issue of Gramophone says of Deep, "The blend of sonorities is ominous and magical." |
| In his May 2001 review for Music & Vision Magazine, Gordon Rumson writes: |
||
"Don't
let look and location put you off (My gosh, she lives in Malibu!?!)
here's a first-rate, real composer. Her piano sonata is tough, tightly
controlled motivically in the manner of mid-century American serious
composers, but it is also musically tense and expressive. This is the
genuine article. |
|
|
"...[Shapiro's music] is enough to give one hope for the contemporary music scene." |
|
"[Alex Shapiro's Current Events] deserves circulation... Her title, by the way, refers to her hobby, which has something to do with “communing with the sea life at tide pools. It's music exceptionally well made ... I found it most attractive, especially in a long, beautifully unfolding slow movement." In her pre-performance talk [Shapiro] kept invoking the ghost of Brahms, but I think she sold herself short on that count; her string scoring had little of the thickness with which the good Doktor was often given to burying his best thoughts. I wonder if he ever caught the romance of a tide pool." Alan Rich, L.A. Weekly, February 2005 |
| "[Alex Shapiro's Sonata for Piano]... jazz hued spikiness... The scherzo closer works surprisingly well, coming off as a slam bang coda in the way the last measures of Beethovens first Razumovsky quartet do.... a palpable level of motivic economy, confident and easy manner of melodic speech, and clear sense of crafty sophistication. " David Cleary, New Music Connoisseur September 2003 |
|
"This recital, consisting of music for percussion and piano opens with Alex Shapiro’s wonderfully descriptive At the Abyss. It is the longest work on the program, and is reflective of the composer’s concerns for current social issues including politics and ecology. Well constructed, and full of interesting sounds, the work reminded me of some of the more creative film scoring that I have heard. This is music that conjures images in the mind, and the joy of it all is that those images will vary from listener to listener." —Kevin Sutton, MusicWeb-International January 2006
|
“...one of [Shapiro’s] most remarkable works is simply entitled Deep, written for contrabassoon and electronic soundtrack....The electronic timbres are so mystically sepulchral that they fold the contrabassoon into themselves, and you really have to watch the score to be sure what the soloist is playing and what’s on the accompanying sound track.... And the sound production is so superb that you could pass the piece off as a really outside-the-box pop record, like a long-lost Brian Eno track. Surely this is the best solo contrabassoon piece ever written...” Kyle Gann, Chamber Music, May/June 2008 |
"This is not a "percussion" recording, but it is full of wonderful compositions, several of which make prominent use of percussion. This eclectic group of pieces by Alex Shapiro run the gambit from joyful, almost giddy moods to dark, somber colors that remind one of Bartok or possibly Berg... This inspiring recording is great to listen to regardless if one is a percussionist or not. But "At the Abyss" should be considered by any percussionists looking for great literature to perform." |
|
"[Alex Shapiro's] Of Bow and Touch is a dramatic work with beautiful bass melodies and an intriguing use of harmony and texture... The piece begins with a striking introduction... The bass enters majestically... Rich quiet harmonies support a lyric bel canto, yet complex rhythms in the melody... A virtuosic cadenza marked "very freely, improvisation is encouraged" further embellishes the melody... Of Bow and Touch is a very effective and accessible work, with artful melodies and inventive use of harmonies and textures." Hans Sturm, Bass World, December 2001 |
"... a perky and thoroughly delightful duet for flute and oboe by the local composer Alex Shapiro, was brand-new, and Shapiro was on hand to deliver a few words about her piece..." |
|
"Alex Shapiro’s Music for Two Big Instruments, written for Norm Pearson (tuba player with the Los Angeles Philharmonic), is the perfect intro for an excellent CD! It is a very powerful piece..." —Sergio Carolino, Tuba News, September 2005
|
"... I loved the dark, deep, almost gothic lyricism of the contrabassoon/pre-recorded track work "Deep," providing us with a truly unique and original composition for contrabassoon." ------ The Double Reed, April 2006 |
|
"Gifted with an intuitive musical sense complimented by a warm and expansive personality, Alex Shapiro has achieved success in a field few women have even entered." —Peggy Hall Kaplan, Malibu Surfside News, October 2000
|
| "The annual Delius Composition Award Concert always proves to be interesting and entertaining, with wide-ranging stylistic musical offerings. This year, I particularly liked Alex Shapiro's Trio for Clarinet, Violin and Piano... truly interesting and very lovely..." Jeff Gower, The Delius Festival Report, April 1999 |
![]() |
| Professional Affiliations |
| The
following organizations are of interest to readers looking for more information, and may be of particular assistance to composers seeking ways to further their careers: |
|
...and other
links |
![]() Alex, age seven |
|
|
|
||
|
New Music Box (e-mag from the American Music Center) An impressive and large listening resource of living composers: And an excellent, growing resource for composers from all eras: |
| Contact and Press Kit |
![]() |
![]() |
![]() |
|
To contact Alex Shapiro, |
You can also leave |
![]() |
![]() |
![]() |
![]() |
![]() |
|
Daily
Life
|
|
The ocean is a significant part of Alex's life, and if Alex wasn't a musician, she'd probably be a marine biologist. Click above for local information about this beautiful environment which inspires her music. How else does Alex spend her time? In addition to being a sailor, she loves ocean kayaking and downhill skiing. Alex tries to balance her music life with her love of the outdoors and the intoxicating scent of SPF 50 sunscreen. For more local photos, visit Alex's blog, Notes from the Kelp. |
|||
![]() |
Cap'n Al at
the helm of her
|